Out Of The Circle

MESSAGE   Non voglio essere una formica.

fastcodesign:

What Charles And Ray Eames Might Have Done With Modern Materials
Matthew Strong recreates an Eames sofa using carbon fiber. What else might the legendary designers have done with today’s materials?
Read More>

fastcodesign:

What Charles And Ray Eames Might Have Done With Modern Materials

Matthew Strong recreates an Eames sofa using carbon fiber. What else might the legendary designers have done with today’s materials?

Read More>

— 1 mese fa con 50 note

“I live on Earth at present, and I don’t know what I am. I know that I am not a category. I am not a thing — a noun. I seem to be a verb, an evolutionary process – an integral function of the universe.”

R. Buckminster Fuller

(via paultowler)

— 1 mese fa con 1067 note

artemisdreaming:

Isamu Noguchi (via: architekturfuerkinder.ch)

Click through for details


(via oki-a-34)

— 1 mese fa con 125 note
vurtual:

The Golden Mirror (by Marsel van Oosten)This was shot at sunrise at a waterhole, next to our camp in South Africa.There was only one hippo in the water, and was keeping an eye on me constantly. The golden sunrise colors reflected nicely off the surface of the water.

vurtual:

The Golden Mirror (by Marsel van Oosten)

This was shot at sunrise at a waterhole, next to our camp in South Africa.There was only one hippo in the water, and was keeping an eye on me constantly. The golden sunrise colors reflected nicely off the surface of the water.

(via fabforgottennobility)

— 1 mese fa con 3773 note

artphotocollector:

"What appears in the pictures was the subject’s decision, not mine. I took what they presented—delicate moments—unadorned and unglamorous, yet tender and exquisite. —Ray Metzker 

Belgium isn’t a land of sunshine and smiles, but there is a no-nonsense, hardworking attitude that I’ve always respected. It’s this commonsensical approach to life that I see in the work of Belgian photographer, Jacques Sonck, who is currently on exhibit at L. Parker Stephenson Photographs here in NYC. Sonck, who trained as a photographer, did the practical thing in life: he got a job shooting images at the Culture Department of the Province of Antwerp. For 35 years he photographed their exhibition catalogs and earned a living, while doing his own personal work on the side. 

Looking at his images, we can conjure the influences of Arbus and Penn, but Sonck’s images are not derivative. He is straightforward and unapologetic about what he’s doing. He’s a skilled photographer who has no personal interest, at all, in the lives of his sitters. Indeed, he often doesn’t even know their names. What he’s after is the transcendence found in any great portrait. That is, the notion that through the alchemy of photographer and subject, the photograph, itself, elevates their brief experience into something greater that we can engage and project ourselves onto. They are looking at us, we are looking at them, and we are all looking at each other. —Lane Nevares

— 1 mese fa con 456 note
coffeenuts:

thewayweliveonline:Aboriginal man using newly installed phone for the first time in Amhem Land, Australia, ca. 1975. Photo by Penny Tweedie

coffeenuts:

thewayweliveonline:Aboriginal man using newly installed phone for the first time in Amhem Land, Australia, ca. 1975. Photo by Penny Tweedie

(via fabforgottennobility)

— 1 mese fa con 417 note